Skip to main content

EP REVIEW: "Cycles of Grief Vol 1: Growth" by Cursed Earth

   Cursed Earth's UNFD debut release Cycles of Grief Vol 1: Growth is just under 10 minutes of unbridled fury, hate and ire, painted with Nails-esque sludgy guitars and an impressive performance from vocalist Jazmine Luders (it's also refreshing to see a female fronting a band in such an overwhelmingly male dominated genre). The riffs are hard, fast and face-melting. The drums are well balanced and provide the punch they should in this type of music. The bass almost never emerges from the wall of sludge (it does rear its head at the back end of "War March"), but that is to be expected and isn't so much a let-down as a missed opportunity. There's no breathing space here; they're in and out before you have a chance to compose yourself, and this is this EP's greatest strength. Were this a full-length there would need to be a lot more variety and dynamic contrast to remain interesting and heavy, but for a little 10 minute taster it is white hot and brutal as anything. A short, sharp and punishing EP, definitely give it a spin.

   Rating: B

Comments

Popular posts from this blog

1 YEAR LATER: "22, A Million" by Bon Iver

   Bon Iver's third studio album turns 1 in about a week (where did that year go?), so I thought it would be interesting to talk a bit about how my impressions of the album have changed - or how they haven't - over the last 12 months. When this album was released I was more excited than I think I ever have been to hear a new album. For Emma, Forever Ago is one of my all time favourites, and I love his self-titled second album too, so I had huge expectations for this album, but was also wary that expectations might ruin my experience of the music. This was particularly the case for 22, A Million , because it is unlike anything else Justin Vernon has released. There have been hints at this more processed, electronic direction previously, like the song "Woods" on the Blood Bank EP and occasional flourishes on Bon Iver , but 22, A Million is a drastic departure from the Bon Iver sound we had grown accustomed to at this point in time. Or at least, that's what I thought...

ALBUM REVIEW: "Mesmer" by Northlane

   On Friday Northlane released their fourth studio album Mesmer without any warning, and it's pretty awesome. Fans that were keeping up had been getting hints for a while, with cryptic announcements and a seriously cool chatbot, but Mesmer was a complete surprise for everyone, and one that has brought with it a more cohesive and complete sound for the band.    2015's  Node was a great way to open up the second chapter in the band's trajectory and featured a fantastic performance from new singer Marcus Bridge, but definitely felt like a transition album for a band that had forged such a signature sound and was in the middle of great change. Mesmer immediately feels a lot more comfortable than Node  for a bunch of reasons, which is to be expected now the band has been touring with Bridge almost non-stop for more than two years. While the production on Node didn't quite fit the sound they were going for and seemed a little flat across the board, David Bend...