ALBUM REVIEW: "Sketches of Brunswick East" by King Gizzard & The Lizard Wizard

Here we are at album number 3 in 2017 for King Gizzard & The Lizard Wizard (with two more to come!), and as expected they haven't simply released Murder of the Universe or Flying Microtonal Banana part 2. Sketches of Brunswick East (referencing Miles Davis' Sketches of Spain and Stu McKenzie's hometown in Melbourne) is a more jazz-leaning collaboration with Mild High Club from Los Angeles. There are references to earlier works littered throughout the album, like a very Flying Banana section in "D-Day" coloured by microtonal tuning, which is likely due to the different writing process undertaken while on tour with Mild High Club. Stu McKenzie has called it "sampling culture, in which old ideas are reshaped and suddenly things make sense. It was like we were continually jamming with ourselves." This actually drew a mixed response from me; whereas the continuous nature of albums like Nonagon Infinity and Murder of the Universe created an unstoppable white-knuckle momentum, here it draws out the slower pace of most of these tracks in a way I really didn't like. I feel like breaks in between the tracks would have benefited the album a lot, 'cause I found my self switching windows to look at the runtime a lot. Having said that, it is another step forwards for and band that somehow keeps making new and original music at an absurd rate. Worth a listen, but I didn't love it.

Favourite Songs: Countdown and The Book

Least Favourite Song: Rolling Stoned

Rating: 5/10

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ALBUM REVIEW: "A Man Apart" by Ben Ottewell

Ben Ottewell's third LP A Man Apart goes boldly where he has been before, and while it certainly does that pretty well it doesn't manage to either strike new ground or any real emotional response. There is a distinctly "nice" feel to this record, which is, um, nice I guess if that's what you want. But it just doesn't feel like there's any immediacy or forward motion on any of these songs, like Ottewell is content with writing songs that could be on four wheel drive ads. Again, there isn't really anything particularly bad here, it's just a singer-songwriter album that isn't trying to break new ground. His typically growly voice is also beginning to give way to a more accessible, smooth tone, which could place you on either side of this record. For me it just cements it's place firmly in the middle ground somewhere. Favourite Songs: Own It, A Man Apart and Lead Me Least Favourite Songs: Watcher, Back To The World and Bones ...

1 YEAR LATER: "22, A Million" by Bon Iver

Bon Iver's third studio album turns 1 in about a week (where did that year go?), so I thought it would be interesting to talk a bit about how my impressions of the album have changed - or how they haven't - over the last 12 months. When this album was released I was more excited than I think I ever have been to hear a new album. For Emma, Forever Ago is one of my all time favourites, and I love his self-titled second album too, so I had huge expectations for this album, but was also wary that expectations might ruin my experience of the music. This was particularly the case for 22, A Million , because it is unlike anything else Justin Vernon has released. There have been hints at this more processed, electronic direction previously, like the song "Woods" on the Blood Bank EP and occasional flourishes on Bon Iver , but 22, A Million is a drastic departure from the Bon Iver sound we had grown accustomed to at this point in time. Or at least, that's what I thought...

EP REVIEW: "Same Kind Of Different" by Dean Lewis

Dean Lewis offers up six largely acoustic-driven tunes on his debut offering, all of which are clearly aimed at wider appeal. The acoustic-pop thing has never really done it for me (read my recent Ed Sheeran review here ), mainly because behind the slick production and singable hooks there's a general lack of songwriting to be had. This is where Same Kind Of Different sits a rung above most other similar albums; take the sugar and fairy dust away and there are still six complete songs that could be on a singer-songwriter album, rough and bare. I can appreciate the way these songs have been tailored to be played to a larger audience, but the substance behind the shine is more important to me. The six songs do sound very similar, however, and they do tend to blur together into a singular mass - which could be a good or a bad thing, depending on who you are. For me that was a bit of a concern on second and third listen, but I was generally pleased by Same Kind Of Diffe...

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