Skip to main content

ALBUM REVIEW: "Science Fiction" by Brand New

   Brand New's fifth and likely final album is a breathtaking final chapter for the genre-defining emo group. From front to back I was completely enamoured with Science Fiction, and repeat listens have only increased my love for it. It's dark, twisted, beautiful and apocalyptic, frequently treading into meta territory and demanding your full attention to fully comprehend what you're hearing. I can't front like I'm one of the die-hard Brand New fans that treat their music as something close to a religion (similar to Radiohead or Tool fans), but The Devil & God Are Raging Inside Me definitely remains one of my favourite albums, and I have enjoyed their other material. Science Fiction immediately has the air of a classic, and I can truthfully say that it already pushes at TDAGARIM in terms of lyrics, music and overall structure. I hate to say things like this, but Science Fiction is possibly the best album I've heard so far this year, and it doesn't seem likely that anything else will come close to where Brand New went with this album. Lyrically, Science Fiction might just be the darkest Brand New album, with lyrics like "let's all go play Nagasaki / we can all get vaporised / hold my hand, let's turn to ash / I'll see you on the other side" sitting with enough space to ruminate in your mind. Self-worth, faith and doubt, depression and insecurity are all recurring themes across the band's discography, but on Science Fiction all these themes all seem to be tied together in a retrospective melancholy unique to this album. They tackle faith and God in a raw, authentic way that really resonates with me in a similar way to Underoath did. It's almost like the apocalyptic lyrics are a meta-commentary on the end of Brand New, with their supposed disbandment next year - and with a band like Brand New there is no such thing as coincidence. While I obviously was disappointed when they delayed the release of this album last year because they weren't completely happy with the finished result, it was clearly worth the wait when we got an album as immersive, emotionally crushing and beautiful as this. I won't go into the layers like the reversed vocals and dreams and tapes, because these things are best experienced on your own accord, and I definitely encourage everyone who listens to take the time to delve into the layers and hidden meanings behind everything. I can't say enough how much I love this album; I can't find anything negative to say about it, and it's an easy contender for my album of the year.

   Favourite Songs: Lit Me Up, Could Never Be Heaven, 137, Out Of Mana, 451 and Batter Up

   Least Favourite Song: n/a

   Rating: A+

Comments

Popular posts from this blog

1 YEAR LATER: "22, A Million" by Bon Iver

   Bon Iver's third studio album turns 1 in about a week (where did that year go?), so I thought it would be interesting to talk a bit about how my impressions of the album have changed - or how they haven't - over the last 12 months. When this album was released I was more excited than I think I ever have been to hear a new album. For Emma, Forever Ago is one of my all time favourites, and I love his self-titled second album too, so I had huge expectations for this album, but was also wary that expectations might ruin my experience of the music. This was particularly the case for 22, A Million , because it is unlike anything else Justin Vernon has released. There have been hints at this more processed, electronic direction previously, like the song "Woods" on the Blood Bank EP and occasional flourishes on Bon Iver , but 22, A Million is a drastic departure from the Bon Iver sound we had grown accustomed to at this point in time. Or at least, that's what I thought...

ALBUM REVIEW: "A Man Apart" by Ben Ottewell

   Ben Ottewell's third LP A Man Apart goes boldly where he has been before, and while it certainly does that pretty well it doesn't manage to either strike new ground or any real emotional response. There is a distinctly "nice" feel to this record, which is, um, nice I guess if that's what you want. But it just doesn't feel like there's any immediacy or forward motion on any of these songs, like Ottewell is content with writing songs that could be on four wheel drive ads. Again, there isn't really anything particularly bad here, it's just a singer-songwriter album that isn't trying to break new ground. His typically growly voice is also beginning to give way to a more accessible, smooth tone, which could place you on either side of this record. For me it just cements it's place firmly in the middle ground somewhere.    Favourite Songs: Own It, A Man Apart and Lead Me    Least Favourite Songs: Watcher, Back To The World and Bones ...

EP REVIEW: "Same Kind Of Different" by Dean Lewis

   Dean Lewis offers up six largely acoustic-driven tunes on his debut offering, all of which are clearly aimed at wider appeal. The acoustic-pop thing has never really done it for me (read my recent Ed Sheeran review  here ), mainly because behind the slick production and singable hooks there's a general lack of songwriting to be had. This is where Same Kind Of Different sits a rung above most other similar albums; take the sugar and fairy dust away and there are still six complete songs that could be on a singer-songwriter album, rough and bare. I can appreciate the way these songs have been tailored to be played to a larger audience, but the substance behind the shine is more important to me. The six songs do sound very similar, however, and they do tend to blur together into a singular mass - which could be a good or a bad thing, depending on who you are. For me that was a bit of a concern on second and third listen, but I was generally pleased by Same Kind Of Diffe...