Skip to main content

NOSTALGIA PICK #4: "Soundtracks For The Blind" by Swans

   Swans are one of the most challenging bands I've come across in my pursuit of music (since I began branching out from the radio and my parents' CD collection), and Soundtracks For The Blind is arguably the best - certainly the most ambitious - release in their vast discography. While both The Seer and To Be Kind are both also favourites of mine, Soundtracks has a weird energy about it that is totally unique, creepy and completely compelling. Put together as a sort of soundtrack to a non-existent movie (as the title suggests), Swans moved away from their furious noise rock roots into more atmospheric, loop inspired territory to dazzling effect. Soundtracks can be an exhausting listen, but when approached at the right time with the right intentions it becomes frighteningly hypnotic and dark. Listening to something like this is an incredibly rewarding and affirming task, and was invaluable to me in terms of widening my expectations and attention when listening to music. If you're looking for something to sing along to, or for some songs to put onto your new playlist, then Soundtracks will most likely sound boring, pretentious and overblown, but if you're willing to spend the time exploring the incredibly vivid sonic landscapes Swans conjure it can be transformative. The three most recent Swans records - The Seer, To Be Kind and The Glowing Man - are possibly a little more accessible, but I strongly urge anyone to give Soundtracks a chance to lodge into your mind; it won't be leaving anytime soon.

Comments

Popular posts from this blog

1 YEAR LATER: "22, A Million" by Bon Iver

   Bon Iver's third studio album turns 1 in about a week (where did that year go?), so I thought it would be interesting to talk a bit about how my impressions of the album have changed - or how they haven't - over the last 12 months. When this album was released I was more excited than I think I ever have been to hear a new album. For Emma, Forever Ago is one of my all time favourites, and I love his self-titled second album too, so I had huge expectations for this album, but was also wary that expectations might ruin my experience of the music. This was particularly the case for 22, A Million , because it is unlike anything else Justin Vernon has released. There have been hints at this more processed, electronic direction previously, like the song "Woods" on the Blood Bank EP and occasional flourishes on Bon Iver , but 22, A Million is a drastic departure from the Bon Iver sound we had grown accustomed to at this point in time. Or at least, that's what I thought...

ALBUM REVIEW: "Mesmer" by Northlane

   On Friday Northlane released their fourth studio album Mesmer without any warning, and it's pretty awesome. Fans that were keeping up had been getting hints for a while, with cryptic announcements and a seriously cool chatbot, but Mesmer was a complete surprise for everyone, and one that has brought with it a more cohesive and complete sound for the band.    2015's  Node was a great way to open up the second chapter in the band's trajectory and featured a fantastic performance from new singer Marcus Bridge, but definitely felt like a transition album for a band that had forged such a signature sound and was in the middle of great change. Mesmer immediately feels a lot more comfortable than Node  for a bunch of reasons, which is to be expected now the band has been touring with Bridge almost non-stop for more than two years. While the production on Node didn't quite fit the sound they were going for and seemed a little flat across the board, David Bend...