Nick Murphy (fka Chet Faker) is typically introspective and moody on this new EP Missing Link, and while it doesn't necessarily strike new ground there are five solid songs that won't necessarily stay in you're head long after. To me it kind of sounds like a collection of songs that would normally be the deeper cuts of a full length; there aren't any real standouts or "lead singles" but rather subdued, sometimes hypnotic songs without any real cutting power. People who aren't fans of the way Murphy's voice can sometimes flatten out will find further dissatisfaction on Missing Link, too, where the whinier side of his performance takes the foreground. It's not bad, just not overly memorable.
There aren't many artists that have been making consistently exciting music for as long as Phil Elverum has been under his various musical pseudonyms, the most notable being The Microphones and Mount Eerie, the latter being the second incarnation after The Microphones' Mount Eerie. From experimental beginnings to rugged indie-folk to what was essentially Phil's black metal album in Black Wooden Ceiling and back again, nothing he has done has felt like a re-tread of what had come before, but somehow he has managed to maintain an instantly recognisable sonic fingerprint across all his projects. For me the peak moments in his expansive discography come in the form of 2001's The Glow Pt. 2 and 2003's Mount Eerie . A saw an exhibition at the Museum of Contemporary Art in Sydney showing the work of Japanese artist Tatsuo Miyajima, which was a series of installations ruminating on life and death and the cycle it forms. All of the in...

Comments
Post a Comment