Nick Murphy (fka Chet Faker) is typically introspective and moody on this new EP Missing Link, and while it doesn't necessarily strike new ground there are five solid songs that won't necessarily stay in you're head long after. To me it kind of sounds like a collection of songs that would normally be the deeper cuts of a full length; there aren't any real standouts or "lead singles" but rather subdued, sometimes hypnotic songs without any real cutting power. People who aren't fans of the way Murphy's voice can sometimes flatten out will find further dissatisfaction on Missing Link, too, where the whinier side of his performance takes the foreground. It's not bad, just not overly memorable.
Bon Iver's third studio album turns 1 in about a week (where did that year go?), so I thought it would be interesting to talk a bit about how my impressions of the album have changed - or how they haven't - over the last 12 months. When this album was released I was more excited than I think I ever have been to hear a new album. For Emma, Forever Ago is one of my all time favourites, and I love his self-titled second album too, so I had huge expectations for this album, but was also wary that expectations might ruin my experience of the music. This was particularly the case for 22, A Million , because it is unlike anything else Justin Vernon has released. There have been hints at this more processed, electronic direction previously, like the song "Woods" on the Blood Bank EP and occasional flourishes on Bon Iver , but 22, A Million is a drastic departure from the Bon Iver sound we had grown accustomed to at this point in time. Or at least, that's what I thought...

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