Skip to main content

ALBUM REVIEW: "The Weather" by Pond

   Pond have the unfortunate fortune of being constantly compared to Tame Impala, and not just because of the fact they share members; for many people they are the only two bands they're aware of that deal in the kind of 70s-inspired psych-rock that makes you think, "I wonder what this would sound like if you were stoned?" While this comparison is very understandable and can work in ways beneficial for Pond, I have always felt that Pond feel like more of a "band" than Tame Impala. Where Tame Impala is Kevin Parker's project with other musicians making up the live performance, Pond feels a lot more cohesive in that sense. Pond and Tame Impala have both changed and evolved, but while Kevin Parker went full disco on Currents, Pond have maintained a strong grounding in psychedelic rock while dipping into trippy synths and some of the other elements Parker brought into Tame Impala's sound on Currents. For this reason I maintain that Pond are the superior band, and they prove it here on The Weather. Lyrically Pond have also always been more interesting, and The Weather descends into darker, more emotionally layered territory than has ever been scaled on a Tame Impala record. My biggest problem here is the production; like most records in this genre the vocals are soaked in reverb and blended right into the mix, and this has never been something I am fond of. The drums are also characteristically flat, and the bass is missing the presence it needs on the low end. Despite my gripes with the way these types of records are produced, The Weather is still successful in providing dizzying spirals into confusing, kaleidoscopic head trips, though, and I imagine that the live setting is where these ambitious songs would really come into their own. The Weather is a solid album from a very solid band, but the pitfalls of a sometimes oversaturated genre do tend to come into play a fair bit. Pond have still to reach the heights of what they have hinted at more and more over their career.

   Favourite Songs: 30000 Megatons, Edge of the World Pt. 2, and Zen Automation

   Least Favourite Song: Colder Than Ice

   Rating: C+

Comments

Popular posts from this blog

NOSTALGIA PICK #3: "The Glow Pt. 2" and "Mount Eerie" by The Microphones

   There aren't many artists that have been making consistently exciting music for as long as Phil Elverum has been under his various musical pseudonyms, the most notable being The Microphones and Mount Eerie, the latter being the second incarnation after The Microphones' Mount Eerie.  From experimental beginnings to rugged indie-folk to what was essentially Phil's black metal album in Black Wooden Ceiling  and back again, nothing he has done has felt like a re-tread of what had come before, but somehow he has managed to maintain an instantly recognisable sonic fingerprint across all his projects.    For me the peak moments in his expansive discography come in the form of 2001's The Glow Pt. 2 and 2003's Mount Eerie .      A saw an exhibition at the Museum of Contemporary Art in Sydney showing the work of Japanese artist Tatsuo Miyajima, which was a series of installations ruminating on life and death and the cycle it forms. All of the in...

1 YEAR LATER: "22, A Million" by Bon Iver

   Bon Iver's third studio album turns 1 in about a week (where did that year go?), so I thought it would be interesting to talk a bit about how my impressions of the album have changed - or how they haven't - over the last 12 months. When this album was released I was more excited than I think I ever have been to hear a new album. For Emma, Forever Ago is one of my all time favourites, and I love his self-titled second album too, so I had huge expectations for this album, but was also wary that expectations might ruin my experience of the music. This was particularly the case for 22, A Million , because it is unlike anything else Justin Vernon has released. There have been hints at this more processed, electronic direction previously, like the song "Woods" on the Blood Bank EP and occasional flourishes on Bon Iver , but 22, A Million is a drastic departure from the Bon Iver sound we had grown accustomed to at this point in time. Or at least, that's what I thought...