Skip to main content

ALBUM REVIEW: "I Decided." by Big Sean

   Having never listened to any of Michigan rapper Big Sean's previous material, for me his fourth studio album I Decided wasn't the huge departure it seemed to be to a lot of people. In fact, I had a tough job in identifying things that separated this project from others in the genre. This isn't necessarily a bad thing - you don't have to be smashing boundaries and expectations to make an enjoyable album - and Big Sean has his own lyrical voice that marks his music as recognisably his own, while staying comfortably within what has been proven as a working formula.
   There is a definite rage and bitterness to Big Sean's lyrics, but there is a sense of underlying melancholy that provides the album with a sense of maturity and jadedness. There are lots of clever lines and good songs, but it never quite feels like these songs quite come together as something passably singular and cohesive. The best moments are the pop songs, though, "Bounce Back" being instantly memorable in a throbbing, cathartic way. Unfortunately much of the rest of the track-listing seems about to fold together on itself in a messy heap. Strong flow and some great guest spots (especially the menacing verse from Eminem on "No Favours") hold it all together, though, and I Decided eventuates to be a fairly enjoyable, if not entirely compelling and memorable, collection of songs.

Favourite Tracks: Bounce Back, No Favours, Moves and Sacrifices

Least Favourite Tracks: Owe Me and Sunday Morning Jetpack

Rating: C+

Comments

Popular posts from this blog

1 YEAR LATER: "22, A Million" by Bon Iver

   Bon Iver's third studio album turns 1 in about a week (where did that year go?), so I thought it would be interesting to talk a bit about how my impressions of the album have changed - or how they haven't - over the last 12 months. When this album was released I was more excited than I think I ever have been to hear a new album. For Emma, Forever Ago is one of my all time favourites, and I love his self-titled second album too, so I had huge expectations for this album, but was also wary that expectations might ruin my experience of the music. This was particularly the case for 22, A Million , because it is unlike anything else Justin Vernon has released. There have been hints at this more processed, electronic direction previously, like the song "Woods" on the Blood Bank EP and occasional flourishes on Bon Iver , but 22, A Million is a drastic departure from the Bon Iver sound we had grown accustomed to at this point in time. Or at least, that's what I thought...

ALBUM REVIEW: "Mesmer" by Northlane

   On Friday Northlane released their fourth studio album Mesmer without any warning, and it's pretty awesome. Fans that were keeping up had been getting hints for a while, with cryptic announcements and a seriously cool chatbot, but Mesmer was a complete surprise for everyone, and one that has brought with it a more cohesive and complete sound for the band.    2015's  Node was a great way to open up the second chapter in the band's trajectory and featured a fantastic performance from new singer Marcus Bridge, but definitely felt like a transition album for a band that had forged such a signature sound and was in the middle of great change. Mesmer immediately feels a lot more comfortable than Node  for a bunch of reasons, which is to be expected now the band has been touring with Bridge almost non-stop for more than two years. While the production on Node didn't quite fit the sound they were going for and seemed a little flat across the board, David Bend...