Skip to main content

ALBUM REVIEW: "Common As Light And Love Are Red Valleys Of Blood" by Sun Kil Moon

   Mark Kozelek's 2014 Sun Kil Moon album Benji is one of the most raw and vulnerable albums you will ever hear, an album that sits in your stomach and follows you around relentlessly. The Sun Kil Moon moniker has always been a place in which Kozelek has vented about intensely personal problems and issues, and Benji presented these in almost uncomfortable realism. Unfortunately the albums since then haven't quite reached the depths of Benji. Common As Light... bucks that trend with an album that expands on everything Kozelek forged in Benji. Kozelek's music has always been fiercely intimate, but he has tended to hide behind this a lot in his music, but he managed to peer past the facade on Benji and manages to do so again on Common As Light..., and it is this that raises the album to the heights of Benji.
   It is an entirely different animal to Benji, however; at 2 hours and 10 minutes it is twice as long and therefore is a much more emotionally complex album. Some may find this exhausting, others incredibly rewarding. Kozelek also managed to write an album that becomes steadily more meta as it goes on (just listen to "Vague Rock Song" and "Seventies TV Show Theme Song"), something only hinted at in previous material. Instrumentally, it is a much more diverse album, mixing folk, indie rock, post rock and even hip hop, and Kozelek slides from spoken word to singing to yelling and screaming with ease and poise. The signature sadness that has come to be expected from Sun Kil Moon is still very much present, but feels more grounded in reality, amidst other swirling emotions of everyday life. It ebbs and flows with authenticity and confronting realism in a way Benji never quite achieved and feels more or less like an expansion on everything great about that album. As I mentioned before, though, it never feels like I straightforward re-tread; it adventures to new places rarely if ever seen in Kozelek’s music before and makes them feel exciting and fresh, but pleasantly familiar, too.
   Highly recommended.

   Favourite Tracks: God Bless Ohio, The Highway Song and Bastille Day

   Least Favourite Track: I Love Portugal

   Rating: A



Comments

Popular posts from this blog

A Response To 'Christian' Views On Secular Music

Is there such thing as music that Christians shouldn’t listen to? Should we be dismissive of music with either explicit language or sexual, violent or substance oriented themes? Should anyone even be telling anyone else what they can and can’t listen to? These are questions that are thrown around a lot in Christian circles, and given what I do here on this blog and how that overlaps with my job working for the church, I thought I would share my thoughts on this topic. I’ll say this at the outset so that we’re on the same page – I think any attempt to dictate what people should and shouldn’t listen to is stupid and disrespectful on a fundamental level. I’ll go into detail about why I think that later on, but for now here are some thoughts I have on some of the “Christian” opinions I come across pretty regularly. The first and most ludicrous thing that seems to follow me around is the idea that because I listen to underground genres, particularly on the heavy metal ...

1 YEAR LATER: "22, A Million" by Bon Iver

   Bon Iver's third studio album turns 1 in about a week (where did that year go?), so I thought it would be interesting to talk a bit about how my impressions of the album have changed - or how they haven't - over the last 12 months. When this album was released I was more excited than I think I ever have been to hear a new album. For Emma, Forever Ago is one of my all time favourites, and I love his self-titled second album too, so I had huge expectations for this album, but was also wary that expectations might ruin my experience of the music. This was particularly the case for 22, A Million , because it is unlike anything else Justin Vernon has released. There have been hints at this more processed, electronic direction previously, like the song "Woods" on the Blood Bank EP and occasional flourishes on Bon Iver , but 22, A Million is a drastic departure from the Bon Iver sound we had grown accustomed to at this point in time. Or at least, that's what I thought...

Should Brand New be in my top 20? (CONTENT WARNING: sexual abuse)

    For those who read both top 20 albums lists that I did - one here on thatmusicnerd and one over at Kill Your Stereo - you will have noticed, I'm sure, that one had The Ongoing Concept's album Places at number 1, and the other had Brand New's Science Fiction at the top. Full disclosure, I initially had Brand New at the top of just the one list, but the readership of Kill Your Stereo reacted very strongly against the allegations of sexual misconduct against Brand New frontman Jesse Lacey and so I removed it entirely. In fact, none of the  KYS contributors' top 20 lists featured Science Fiction at all. Of course I was happy to follow the general consensus in regards to whether or not an artist accused of such things should be promoted by a music publication, but I still stand by my opinion that Science Fiction was the best album of 2017 and as such it was number 1 on my thatmusicnerd top 20 list.    2017 has been a pretty crazy year in terms of the ...