Skip to main content

ALBUM REVIEW: "Prophets of Rage" by Prophets of Rage

   Rage Against The Machine they are not. While the classic rhythm section remains, there is something hollow about this first full length from supergroup Prophets of Rage. The first and biggest major let down for me is in the vocal department. I'm all for rap rock, but this just doesn't work. Part of what makes Rage Against The Machine so timeless is Zac de la Rocha's fury that he spews spectacularly - this kind of conviction is nowhere to be heard. Instead we have some occasionally rousing but mostly mundane performances from Public Enemy's Chuck D and Cypress Hill's B-Real. Also a disappointment is the severe underutilisation of such an iconic rhythm section. The guitar solo in Unfuck the World is a glimpse at the sheer insanity and groove Tom Morello is known for, but there is a serious lack of banging tracks, the likes of which make up the entirety of the first Rage Against The Machine album. When there is a ripper of an instrumental track it just screams for a vocalist with a serious set of pipes. I don't really want to comment on the political content of the lyrics because that would warrant an entire piece, but in short I was pretty underwhelmed in that department too. Disappointing.

   Favourite Track: Unfuck the World and Strength In Numbers

   Least Favourite Tracks: Legalise Me, Take Me Higher and Who Owns Who

   Rating: D

Comments

Popular posts from this blog

1 YEAR LATER: "22, A Million" by Bon Iver

   Bon Iver's third studio album turns 1 in about a week (where did that year go?), so I thought it would be interesting to talk a bit about how my impressions of the album have changed - or how they haven't - over the last 12 months. When this album was released I was more excited than I think I ever have been to hear a new album. For Emma, Forever Ago is one of my all time favourites, and I love his self-titled second album too, so I had huge expectations for this album, but was also wary that expectations might ruin my experience of the music. This was particularly the case for 22, A Million , because it is unlike anything else Justin Vernon has released. There have been hints at this more processed, electronic direction previously, like the song "Woods" on the Blood Bank EP and occasional flourishes on Bon Iver , but 22, A Million is a drastic departure from the Bon Iver sound we had grown accustomed to at this point in time. Or at least, that's what I thought...

ALBUM REVIEW: "Mesmer" by Northlane

   On Friday Northlane released their fourth studio album Mesmer without any warning, and it's pretty awesome. Fans that were keeping up had been getting hints for a while, with cryptic announcements and a seriously cool chatbot, but Mesmer was a complete surprise for everyone, and one that has brought with it a more cohesive and complete sound for the band.    2015's  Node was a great way to open up the second chapter in the band's trajectory and featured a fantastic performance from new singer Marcus Bridge, but definitely felt like a transition album for a band that had forged such a signature sound and was in the middle of great change. Mesmer immediately feels a lot more comfortable than Node  for a bunch of reasons, which is to be expected now the band has been touring with Bridge almost non-stop for more than two years. While the production on Node didn't quite fit the sound they were going for and seemed a little flat across the board, David Bend...