ALBUM REVIEW: "Murder of the Universe" by King Gizzard & The Lizard Wizard

Murder of the Universe is one of the weirdest King Gizzard releases so far, and they have released some weird shit. Split into three parts over 21 tracks, they manage to tackle speed metal, psych, grunge and even glam, never once feeling like a gimmick or cheap trick but rather an extension of their music evolution over the course of 10 albums and 5 years. There's a surprisingly large number of weird voice-overs, too, which is relatively fresh for the band and adds a new element to the head-spinning madness they continue to bring to the table. Notably there is no microtonal instrumentation to be found on Murder of the Universe, separating it from Flying Microtonal Banana in that sense. Other than that, there isn't really much to differentiate musically from their previous effort; they're both balls to the walls insane and headache inducing in the best possible way and a hell of a lot of fun. I personally enjoy this release a little more, simply because of the lack of microtonal intervals which make Flying Microtonal Banana an exhausting listen. With three more albums theoretically being released before the end of the year this kind of madness might start to get a bit much, but for now I'm loving the hell out of King Gizzard.

Favourite Tracks: The entire first disc, The Lord of Lightning and Murder of the Universe

Least Favourite Track: The Balrog

Rating: A

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ALBUM REVIEW: "A Man Apart" by Ben Ottewell

Ben Ottewell's third LP A Man Apart goes boldly where he has been before, and while it certainly does that pretty well it doesn't manage to either strike new ground or any real emotional response. There is a distinctly "nice" feel to this record, which is, um, nice I guess if that's what you want. But it just doesn't feel like there's any immediacy or forward motion on any of these songs, like Ottewell is content with writing songs that could be on four wheel drive ads. Again, there isn't really anything particularly bad here, it's just a singer-songwriter album that isn't trying to break new ground. His typically growly voice is also beginning to give way to a more accessible, smooth tone, which could place you on either side of this record. For me it just cements it's place firmly in the middle ground somewhere. Favourite Songs: Own It, A Man Apart and Lead Me Least Favourite Songs: Watcher, Back To The World and Bones ...

1 YEAR LATER: "22, A Million" by Bon Iver

Bon Iver's third studio album turns 1 in about a week (where did that year go?), so I thought it would be interesting to talk a bit about how my impressions of the album have changed - or how they haven't - over the last 12 months. When this album was released I was more excited than I think I ever have been to hear a new album. For Emma, Forever Ago is one of my all time favourites, and I love his self-titled second album too, so I had huge expectations for this album, but was also wary that expectations might ruin my experience of the music. This was particularly the case for 22, A Million , because it is unlike anything else Justin Vernon has released. There have been hints at this more processed, electronic direction previously, like the song "Woods" on the Blood Bank EP and occasional flourishes on Bon Iver , but 22, A Million is a drastic departure from the Bon Iver sound we had grown accustomed to at this point in time. Or at least, that's what I thought...

EP REVIEW: "Same Kind Of Different" by Dean Lewis

Dean Lewis offers up six largely acoustic-driven tunes on his debut offering, all of which are clearly aimed at wider appeal. The acoustic-pop thing has never really done it for me (read my recent Ed Sheeran review here ), mainly because behind the slick production and singable hooks there's a general lack of songwriting to be had. This is where Same Kind Of Different sits a rung above most other similar albums; take the sugar and fairy dust away and there are still six complete songs that could be on a singer-songwriter album, rough and bare. I can appreciate the way these songs have been tailored to be played to a larger audience, but the substance behind the shine is more important to me. The six songs do sound very similar, however, and they do tend to blur together into a singular mass - which could be a good or a bad thing, depending on who you are. For me that was a bit of a concern on second and third listen, but I was generally pleased by Same Kind Of Diffe...

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