Skip to main content

ALBUM REVIEW: "Different Animals" by Volumes

   I've never been on the Volumes bandwagon necessarily, but I really liked their previous album No Sleep and what they were doing in general. Since then they have picked up a new singer (they still have the two frontmen) and switched labels, so I was very unsure of what to expect from their third full length, Different Animals. From the first track Waves Control it's clear they're still dealing in Meshuggah-esque riffs and heaviness, and that track in particular hits incredibly hard, opening the album really strongly. From here they continue with typically catchy and heavy riffs with the occasional R&B influenced chorus, similar to what they have done before, but refined and sharper. New singer Myke Terry's screams are a little patchy in places, but it's his clean singing that is his real strength, really shining in particular on lead single Feels Good. Up until this stage the album is solid, if not entirely game changing for the band or the genre.
   At the half-way mark the band throw a wild left hook and the sound shifts dramatically, and this is what is going to divide listeners into fans and otherwise. The first half sounds like Volumes as you know it already; heavy and catchy with R&B influences. The second half still has those ingredients, but the R&B has been cranked up further than it has been on any other Volumes release. The interlude hints at this, before Hope opens with rapping and progresses into a silky smooth chorus (undercut by some chuggy-chugs). This foray into new territory continues throughout the rest of the album, and while to be honest it was quite distracting the first time, it meant that I really wanted to go back and listen to it again, and I found them so much more enjoyable the second time around. Some people will be turned off by this change, but I bought it 100% and really really liked this album. I also like the way it's kind of split into two halves, similar to the way Ocean Grove's Black Label EP showed their progression to a new sound. Go into it with an open mind and see what you think.

   Favourite Tracks: Waves Control, Feels Good, Pieces, On Her Mind and Pullin' Shades

   Least Favourite Tracks: Finite and Heavy Silence

   Rating: A-

Comments

Popular posts from this blog

A Response To 'Christian' Views On Secular Music

Is there such thing as music that Christians shouldn’t listen to? Should we be dismissive of music with either explicit language or sexual, violent or substance oriented themes? Should anyone even be telling anyone else what they can and can’t listen to? These are questions that are thrown around a lot in Christian circles, and given what I do here on this blog and how that overlaps with my job working for the church, I thought I would share my thoughts on this topic. I’ll say this at the outset so that we’re on the same page – I think any attempt to dictate what people should and shouldn’t listen to is stupid and disrespectful on a fundamental level. I’ll go into detail about why I think that later on, but for now here are some thoughts I have on some of the “Christian” opinions I come across pretty regularly. The first and most ludicrous thing that seems to follow me around is the idea that because I listen to underground genres, particularly on the heavy metal

1 YEAR LATER: "22, A Million" by Bon Iver

   Bon Iver's third studio album turns 1 in about a week (where did that year go?), so I thought it would be interesting to talk a bit about how my impressions of the album have changed - or how they haven't - over the last 12 months. When this album was released I was more excited than I think I ever have been to hear a new album. For Emma, Forever Ago is one of my all time favourites, and I love his self-titled second album too, so I had huge expectations for this album, but was also wary that expectations might ruin my experience of the music. This was particularly the case for 22, A Million , because it is unlike anything else Justin Vernon has released. There have been hints at this more processed, electronic direction previously, like the song "Woods" on the Blood Bank EP and occasional flourishes on Bon Iver , but 22, A Million is a drastic departure from the Bon Iver sound we had grown accustomed to at this point in time. Or at least, that's what I thought

Should Brand New be in my top 20? (CONTENT WARNING: sexual abuse)

    For those who read both top 20 albums lists that I did - one here on thatmusicnerd and one over at Kill Your Stereo - you will have noticed, I'm sure, that one had The Ongoing Concept's album Places at number 1, and the other had Brand New's Science Fiction at the top. Full disclosure, I initially had Brand New at the top of just the one list, but the readership of Kill Your Stereo reacted very strongly against the allegations of sexual misconduct against Brand New frontman Jesse Lacey and so I removed it entirely. In fact, none of the  KYS contributors' top 20 lists featured Science Fiction at all. Of course I was happy to follow the general consensus in regards to whether or not an artist accused of such things should be promoted by a music publication, but I still stand by my opinion that Science Fiction was the best album of 2017 and as such it was number 1 on my thatmusicnerd top 20 list.    2017 has been a pretty crazy year in terms of the fairly b