Skip to main content

THE BEST ALBUMS YOU'VE NEVER HEARD #1: "Splendour & Misery" by clipping.

   This is the start of a new series I am planning, in which I will be writing about some of my favourite albums that might not have been given the widespread recognition they deserved (in my humble opinion). Hopefully in doing this I will be able to turn you on to some records you might never have heard of otherwise.
   The first record I'm going to talk about is Splendour & Misery by LA-based hip hop trio clipping. It is the group's second full-length album after 2014's CLPPNG (not including their 2013 Midcity mixtape), and I stumbled over it without really knowing anything about clipping. or the album. My experience with Splendour & Misery was immediately one of infatuation and obsession, and I was baffled by the fact that so few people had heard it, and more so by the generally mixed reviews it had received (but hey, what do I know).
   Without going into too much detail and spoiling the narrative, the album is essentially a science-fiction story set in space, told to us through the medium of hip hop across the 15-track album. Without any prior knowledge of what to expect my mind was blown the second "The Breach" opened with Daveed Diggs' machine-gun flow, setting up the narrative to come, and I was riveted until the end. The production from William Hutson and Jonathan Snipes creates eerie, cold and desolate soundscapes that serve to enrich the experience of the story, and it all comes together as something unlike anything else I've heard in hip hop. Narrative driven hip hop isn't a new discovery by any means, but to hear it so neatly wrapped in genre was and still is an absolute treat.
   If you like Splendour & Misery then I would highly recommend not only their earlier LP CLPPNG but also their 2016 EP Wriggle (but don't say I didn't warn you; it's absolutely filthy).
   Have you already heard this record? What did you think? Let me know in the comments, I'd love to hear your thoughts.

Comments

Popular posts from this blog

NOSTALGIA PICK #3: "The Glow Pt. 2" and "Mount Eerie" by The Microphones

   There aren't many artists that have been making consistently exciting music for as long as Phil Elverum has been under his various musical pseudonyms, the most notable being The Microphones and Mount Eerie, the latter being the second incarnation after The Microphones' Mount Eerie.  From experimental beginnings to rugged indie-folk to what was essentially Phil's black metal album in Black Wooden Ceiling  and back again, nothing he has done has felt like a re-tread of what had come before, but somehow he has managed to maintain an instantly recognisable sonic fingerprint across all his projects.    For me the peak moments in his expansive discography come in the form of 2001's The Glow Pt. 2 and 2003's Mount Eerie .      A saw an exhibition at the Museum of Contemporary Art in Sydney showing the work of Japanese artist Tatsuo Miyajima, which was a series of installations ruminating on life and death and the cycle it forms. All of the in...

1 YEAR LATER: "22, A Million" by Bon Iver

   Bon Iver's third studio album turns 1 in about a week (where did that year go?), so I thought it would be interesting to talk a bit about how my impressions of the album have changed - or how they haven't - over the last 12 months. When this album was released I was more excited than I think I ever have been to hear a new album. For Emma, Forever Ago is one of my all time favourites, and I love his self-titled second album too, so I had huge expectations for this album, but was also wary that expectations might ruin my experience of the music. This was particularly the case for 22, A Million , because it is unlike anything else Justin Vernon has released. There have been hints at this more processed, electronic direction previously, like the song "Woods" on the Blood Bank EP and occasional flourishes on Bon Iver , but 22, A Million is a drastic departure from the Bon Iver sound we had grown accustomed to at this point in time. Or at least, that's what I thought...