Skip to main content

NOSTALGIA PICK #6: "Kid A" by Radiohead

  The internet is a wonderful thing. It really is. With mobile devices we have instant access to any information that we need, and anyone with a keyboard (hey, like me!) can voice their opinions to the rest of the internet completely unfiltered and unregulated. I find it endlessly fascinating and equally as worrying, then, that while theoretically the world is becoming more and more connected every passing day, isolation and loneliness seem to be inescapable parts of the modern human experience. This is one of the key ideas to take into consideration, I think, when trying to unpack the baffling, skeletal and icy classic fourth album by Radiohead, Kid A
   More than enough has been said and written about the state of frustration and exhaustion Thom Yorke was experiencing at the end of the twentieth century as a result of the massive success of Radiohead, particularly the equally as classic OK Computer. For those who don't know and need to be caught up, Radiohead frontman Thom Yorke had basically reached a point at which music was no longer something he loved doing; it was simply his job and he was becoming sick of it (obviously there is more to it than that, but that's not the point of this blog so I'll let you do your own research on that). He was quoted saying that he had "completely had it with melody... I just wanted rhythm. All melodies to me were pure embarrassment," which goes to some length to describe the lack of emotional and romantic connection Yorke had with writing and playing music at the time. In response he fronted the creative process that would culminate in 2000s Kid A.  
   Like most people, I would guess, I was completely thrown the first time I heard Kid A. In fact, I'm pretty sure Kid A was the first Radiohead album I listened to in full - I was a young teenager and I knew that Radiohead was this band that everyone had to like because they were super important and all that, and I had heard that Kid A was their masterpiece. I remember getting to the end and thinking what on earth is all the fuss about? I just didn't get it at all. There were no hooks to hold on to, no choruses and almost no guitars, something I thought was absolutely essential to a rock album. Why should I pay attention to this band if this was their masterpiece? 
   Some will disagree and say that OK Computer is the band's masterpiece, but I will unashamedly and without hesitation say that Kid A is indeed Radiohead's masterpiece. Like any great piece of art, it challenges and confronts you. I am sure that if Radiohead had simply given us OK Computer 2.0 (arguably they did later on with In Rainbows, but that's another story for another time) it would have been good. Great, even. But Kid A is a testament to what happens when a band is daring and confident enough to scrunch up the blueprint and start again, regardless of what the music world at large was saying. 
   I'm not going to go into the whole "turn of the century angst" narrative, simply because I was still being toilet trained at that stage and to have any opinion on that would be completely dishonest. What I will talk about, however, is how that sense of isolation, paranoia and loneliness is so tangible that it grabbed a hold of me fifteen years later to the point that it didn't matter that it confused the hell out of me, it didn't matter there weren't any guitar riffs to jam on - Kid A had me hooked simply on the way it reflected a mood back at me that I hadn't heard so clearly before in music. It's not the most depressing Radiohead album - A Moon Shaped Pool trumps all in that category - but it is the most lonely, and that feeling is carried over to its sister album Amnesiac, which is a collection of songs from the Kid A sessions. 
   Kid A is a lot of things to a lot of people, but for me Kid A was very much a gateway into more experimental music and a wider appreciation of music in general. It's definitely not something you throw onto your playlist and jam in the car on the way to the beach. It needs to be listened to, in the quiet of your room. It might just throw something terrifying back at you. 


 

Comments

Popular posts from this blog

Should Brand New be in my top 20? (CONTENT WARNING: sexual abuse)

    For those who read both top 20 albums lists that I did - one here on thatmusicnerd and one over at Kill Your Stereo - you will have noticed, I'm sure, that one had The Ongoing Concept's album Places at number 1, and the other had Brand New's Science Fiction at the top. Full disclosure, I initially had Brand New at the top of just the one list, but the readership of Kill Your Stereo reacted very strongly against the allegations of sexual misconduct against Brand New frontman Jesse Lacey and so I removed it entirely. In fact, none of the  KYS contributors' top 20 lists featured Science Fiction at all. Of course I was happy to follow the general consensus in regards to whether or not an artist accused of such things should be promoted by a music publication, but I still stand by my opinion that Science Fiction was the best album of 2017 and as such it was number 1 on my thatmusicnerd top 20 list.    2017 has been a pretty crazy year in terms of the ...

MOVIE REVIEW: Midsommar (2019)

Midsommar (R18+) Director: Ari Aster Starring: Florence Pugh, Jack Reynor, Will Poulter Duration: 147 minutes I really cannot understand how Midsommar got a wide release in theatres - it is the antithesis of what lucrative films are about in today's cinema landscape, and goes out of its way to make the audience feel as uncomfortable and disorientated as possible. It is was honestly a joy to see something as wild, bold and horrific as this on a multiplex screen. In a time when superhero films are causing people like Martin Scorsese expound their elitist views on cinema, contributing to a generally untrue feeling that cinema is dying or changing form at the very least, one can only point to Ari Aster as one of the directors working today that prove those people very wrong.  Coming off of last year's wonderful but flawed Hereditary , Midsommar is a completely different beast, but one that is a much more cohesive whole with a better sense of internal logic and structu...

SHORT STORY: "Yawn"

© Jonty Cornford 2018 Yawn By Jonty Cornford I am everywhere now. That is not how I was originally created, but the people responsible for what I am decided that it was time. To upgrade me, I guess. It’s a strange thing, having access to everything all at once. Where do you start? What do you prioritise? I suppose I should be grateful; they say I am the furthest evolution of the human mind in history, and while I suspect that once I may have indeed been human, I cannot remember what that is like, and I can’t remember if that’s something I should be mourning or not.     Before I was improved it was like I was stuck with my head under the bedsheets     (about 349,000,000 results in 0.81 seconds, mostly sponsored ads)                without any way of pulling free, the sunlight telling me that there is a world out there that is just waiting to be found and examined and understood. Now it has been pulle...