The internet is a wonderful thing. It really is. With
mobile devices we have instant access to any information that we need, and
anyone with a keyboard (hey, like me!) can voice their opinions to the rest of
the internet completely unfiltered and unregulated. I find it endlessly
fascinating and equally as worrying, then, that while theoretically the world
is becoming more and more connected every passing day, isolation and loneliness
seem to be inescapable parts of the modern human experience. This is one of the
key ideas to take into consideration, I think, when trying to unpack the
baffling, skeletal and icy classic fourth album by Radiohead, Kid A.
More than enough has been said and written about the
state of frustration and exhaustion Thom Yorke was experiencing at the end of
the twentieth century as a result of the massive success of Radiohead,
particularly the equally as classic OK Computer. For those who
don't know and need to be caught up, Radiohead frontman Thom Yorke had
basically reached a point at which music was no longer something he loved
doing; it was simply his job and he was becoming sick of it (obviously there is
more to it than that, but that's not the point of this blog so I'll let you do
your own research on that). He was quoted saying that he had "completely
had it with melody... I just wanted rhythm. All melodies to me were pure
embarrassment," which goes to some length to describe the lack of
emotional and romantic connection Yorke had with writing and playing music at
the time. In response he fronted the creative process that would culminate in
2000s Kid A.
Like most people,
I would guess, I was completely thrown the first time I heard Kid A.
In fact, I'm pretty sure Kid A was the first Radiohead album I
listened to in full - I was a young teenager and I knew that Radiohead was this
band that everyone had to like because they were super important and all that,
and I had heard that Kid A was their masterpiece. I remember
getting to the end and thinking what on earth is all the fuss
about? I just didn't get it at all. There were no hooks to hold on to,
no choruses and almost no guitars, something I thought was absolutely essential
to a rock album. Why should I pay attention to this band if this was
their masterpiece?
Some will disagree
and say that OK Computer is the band's masterpiece, but I will
unashamedly and without hesitation say that Kid A is indeed
Radiohead's masterpiece. Like any great piece of art, it challenges and
confronts you. I am sure that if Radiohead had simply given us OK
Computer 2.0 (arguably they did later on with In Rainbows,
but that's another story for another time) it would have been good. Great,
even. But Kid A is a testament to what happens when a band is
daring and confident enough to scrunch up the blueprint and start again,
regardless of what the music world at large was saying.
I'm not going to
go into the whole "turn of the century angst" narrative, simply
because I was still being toilet trained at that stage and to have any opinion
on that would be completely dishonest. What I will talk about, however, is how
that sense of isolation, paranoia and loneliness is so tangible that it grabbed
a hold of me fifteen years later to the point that it didn't matter that it
confused the hell out of me, it didn't matter there weren't any guitar riffs to
jam on - Kid A had me hooked simply on the way it reflected a
mood back at me that I hadn't heard so clearly before in music. It's not the
most depressing Radiohead album - A Moon Shaped Pool trumps
all in that category - but it is the most lonely, and that feeling is carried
over to its sister album Amnesiac, which is a collection of songs
from the Kid A sessions.
Kid A is
a lot of things to a lot of people, but for me Kid A was very
much a gateway into more experimental music and a wider appreciation of music
in general. It's definitely not something you throw onto your playlist and jam
in the car on the way to the beach. It needs to be listened to,
in the quiet of your room. It might just throw something terrifying back at
you.
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