Skip to main content

ALBUM REVIEW: "As You Please" by Citizen

   As one of the legion of post Brand New pop punk bands, Citizen have begun to follow in the path of their successful predecessors, moving further away from their roots into something moodier and more atmospheric. Citizen have never done it more me for the most part; not because they were particularly bad by any stretch, but simply because there wasn't much in the way of defining features to separate them from the rest of the scene. As You Please sees Citizen take a huge step away from being a generic emo/pop punk group, which if you're drawing parallels with obvious influence Brand New falls in line with the transition from Your Favourite Weapon to Deja Entendu and The Devil & God Are Raging Inside Me. This is by no means either of those records' equal - there are definite lulls back into the well worn routs they and every other band have treaded before - but it is a positive step outwards for the band. The strongest element of this album is its confidence in asking you to lean in, rather than yelling at you from where you are. Too often we are given exercises in proving a band's worth, which upon closer inspection are so taken with being as strong and bold as possible that there is almost nothing clinging to the weary skeleton used by so many other bands. On As You Please Citizen are confident to let the music, atmosphere and mood speak for itself without trying to prove its worth with flashy but predictable genre tropes. A promising step forwards for a band I am now paying attention to.

   Favourite Tracks: In The Middle Of It All, Medicine and Control

   Least Favourite Track: You Are A Star

   Rating:  6/10

Comments

Popular posts from this blog

NOSTALGIA PICK #3: "The Glow Pt. 2" and "Mount Eerie" by The Microphones

   There aren't many artists that have been making consistently exciting music for as long as Phil Elverum has been under his various musical pseudonyms, the most notable being The Microphones and Mount Eerie, the latter being the second incarnation after The Microphones' Mount Eerie.  From experimental beginnings to rugged indie-folk to what was essentially Phil's black metal album in Black Wooden Ceiling  and back again, nothing he has done has felt like a re-tread of what had come before, but somehow he has managed to maintain an instantly recognisable sonic fingerprint across all his projects.    For me the peak moments in his expansive discography come in the form of 2001's The Glow Pt. 2 and 2003's Mount Eerie .      A saw an exhibition at the Museum of Contemporary Art in Sydney showing the work of Japanese artist Tatsuo Miyajima, which was a series of installations ruminating on life and death and the cycle it forms. All of the in...

1 YEAR LATER: "22, A Million" by Bon Iver

   Bon Iver's third studio album turns 1 in about a week (where did that year go?), so I thought it would be interesting to talk a bit about how my impressions of the album have changed - or how they haven't - over the last 12 months. When this album was released I was more excited than I think I ever have been to hear a new album. For Emma, Forever Ago is one of my all time favourites, and I love his self-titled second album too, so I had huge expectations for this album, but was also wary that expectations might ruin my experience of the music. This was particularly the case for 22, A Million , because it is unlike anything else Justin Vernon has released. There have been hints at this more processed, electronic direction previously, like the song "Woods" on the Blood Bank EP and occasional flourishes on Bon Iver , but 22, A Million is a drastic departure from the Bon Iver sound we had grown accustomed to at this point in time. Or at least, that's what I thought...